I went into Vincenzo Natali’s sci-fi horror, sadly enough, with the hindsight of spoilers firmly imbedded into my disturbed awareness. Otherwise, how else would a pervert-cum-rubberneck get to feast his eyes on bestiality and incest without previous knowledge and a guarantee of the surprise element remaining intact? With so manyContinue Reading
“Credit the sixties for giving us the acid version of strip, jazz and now the Western,” I assume was the opening line of many an El Topo review had there been edgy online publications like Cinemaholism in 1970. Alas there wasn’t. And so it was now, in 2017, certainly overdueContinue Reading
Often misunderstood, and romanticized for the wrong reasons—and such was the power of Mario Puzo’s Godfather screen adaptation—the mob genre is mistakenly celebrated at each cycle of reinvention. The Italian mafia in films has undergone a persistent makeover, resurrecting in newer, grimier skin each time around to the shortsighted delightContinue Reading
There is a moment in The Kill List so glaring and abrupt I paused unsure whether to allow myself to go along with the distraction or, altogether, question the director’s motives. Buenos DiazContinue Reading
Your reception to Thesis on a Homicide will vary depending on your appreciation for ambiguity and tolerance for redundancy. Thankfully, Thesis keeps both criteria to one instance of each. But before another word is said, it is incumbent upon your boy to point out that this is a film literalContinue Reading
Man, Ricardo Darin is on a roll. Seems like every movie I’ve seen of his—well, all of two so far—has him pulling some major poon at some point in the plot. In impoverished Argentina, Carancho is the colloquialism for ambulance chasers, or rubbernecks on a mission (the mission being toContinue Reading
The proliferation of the MILF and Cougar figures, if anything, can be understood as man’s misguided attempt at optimal ass. Here’s how. The notion that sexual prime seldom meets youthful exuberance that long lends elusiveness to the ideal balance. Bloom and maturity are concurrent but for a brief time, atContinue Reading
Heli, the third film from Cannes favorite Amat Escalante, is a myopic treatment of the pervasive of the Mexico of new in not so much offering a tunnel-visioned exposé of the ubiquitous. Quite the contrary, it is a microscopic view of the commonplace. A lens magnifying the molecular, with Heli,Continue Reading
