March 2015

Kristin Scott Thomas

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Ugly and beautiful, alluring and repulsive, fluid and convulsive all at once, Winding’s latest exercise in ambivalence is as polarizing as the views it garnered though not without retaining a signature style. Combining a neon rich palette and bankrupt morals, featuring viscera for the sake of showcase, and a dreamyContinue Reading

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Far from the tour de force treatments of similar subject matter often aspire to, La Haine is no less a poetic coup de maitre of filmmaking. Inspired by the mid 80s Paris demonstrations, footage of which is used to open the film, it required a little creative license of KassovitzContinue Reading