Foreign Films

The Cinema of our World.

Whenever viewers lament verbal exposition as too on the nose, overly oratory, or detrimental to pacing you’re easily reminded of the alternative; the type which develops through action. Though you’d be wiser than to accept as better exposition anything merely meeting the requirement of being “other.” Buenos DiazContinue Reading

The employment of a narrative of diptychs, title cards, and the artistic decision to shoot in monocolor alone would have vaulted Sang-soo Hong’s ode to cinema halfway to realization without factoring in his recurrent and self-referential character stocks. Screenwriters and filmmakers. Such archetypes while not constants in his work stillContinue Reading

“Credit the sixties for giving us the acid version of strip, jazz and now the Western,” I assume was the opening line of many an El Topo review had there been edgy online publications like Cinemaholism in 1970. Alas there wasn’t. And so it was now, in 2017, certainly overdueContinue Reading