Cinemaholism Reviews https://validator.w3.org/feed/docs/rss2.html Athena (2022) Storming the Bastille Mirage (2018) Netflix The Worthy (2016) Netflix Elle (2016) Dogtooth (2009) The Lobster (2015) Days of Grace (2011) Virgin Stripped Bare By Her Bachelors (2000) Neon Bull (2015) El Topo (1970) A Quiet Life (2010) Thesis on a Homicide (2013) Carancho (2010) The Empty Hours (2013) Heli (2013) Bedevilled (2010) La Haine (1995) Ils (Them) Brotherhood of the Wolf (2001) Wadjda (2012) NO (2012) Gerald’s Game (2017) Netflix Lavender (2016) & The Block Island Sound (2020): Home Shall Never be the Same The Ritual (2017) Netflix All Blog Posts Resident Evil: Apocalypse (2004) Insights into the Author’s Journey in Cinephilia The Green Knight (2021) Blade Runner (1982): Pursuing the Truth Hannibal (2001): a Fetishization of Villainy The Gift (2015) Intrusive Memories in The Invitation (2015) Annihilation (2018) The Wicker Man (1973) The Conversation (1974): Reversing the Peephole The Ninth Gate (1999): Knocking on the Door… to Nowhere The Lighthouse (2019): an Intimate Portrait of Monochrome Mayhem The Omen (1976): The Weakest of The 70s Unholy Trinity of Supernatural Horrors Green Room (2015) & Midsommar (2019): a Satisfying “Sophomore” Double Bill Unsane (2018): A Reintroduction to Steven Soderbergh Gothika (2003): Closing the Circle Tiger Raid (2016): About Blooldlust and Wanderlust The Girl on the Train (2016) Hereditary (2018) – Between Hype and Anticipation Splice (2009) The Shining (1980): Another Bonkers Interpretation The Gift (2015): An Accidental Revenge? The Cell (2000) Fear Revisited The Dressmaker (2015) – Revenge in Vogue Resident Evil (2002) Twenty Years On